I’m a Sydney-based Production Sound Mixer, Audio Engineer, Record Producer & AV Technician. Through KROON Productions, I work across production sound, post-production, studio recording & live technical operations, providing reliable, high-quality audio & AV services for film, television, music, commercial productions and large-scale events.

In my private acoustically treated recording studio, I record, produce, mix and master music for clients using professional recording and monitoring equipment. My wide-ranging experience & technical versatility allow me to carry a track or project from its inception to a release-ready result entirely in-house. My focus remains the same across every project: to understand what the client needs, solve technical problems before they affect the production, and deliver a polished product that supports the artist’s creative intent from preparation through to final delivery.

My screen experience includes being selected for competitive placements at MassiveMusic & UTS Animal Logic Academy. At MassiveMusic, I worked as the Assistant Sound Editor on the SBS On Demand drama series Swift Street, while at UTS Animal Logic Academy, I composed the original score for the award-winning 3D animated short Coffee Brake. Additionally, as a Production Sound Mixer, I record dialogue and talent across film and commercial sets using wireless lavalier, shotgun and boom microphones. My work also includes capturing atmos and ambience, managing RF and multi-channel recording systems, troubleshooting on set, and preparing audio for post-production. Across many of the short films I work on, I also carry the audio through post-production, completing dialogue editing, sound design, cleanup and final mixing to deliver a cohesive finished product.

Alongside my screen and studio work, I regularly operate as an AV Technician across corporate, sporting and live-event environments. I have worked across more than 50 venues, including Accor Stadium & Royal Randwick, and on events for clients such as JPMorgan Chase, Adobe, the Australian Turf Club & the NRL. Some of these events have attracted audiences of more than 1,000 patrons. This has given me an in-depth technical understanding of a range of audio consoles, as well as practical experience with visual and lighting control systems. Whether I am operating independently or working as part of a larger production team, I take a calm, organised and practical approach, communicate clearly with the people around me and integrate into established workflows without interrupting the flow of production.